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Parallax Art Fair is Europe's largest entretive fair for creative entrepreneurs. We have managed 35 editions over 10 years. That is 9000 creative businesses and tens of thousands of visitors.
Who we are

Parallax Art Fair is not like any other art fair. It grew out of a research exhibition held in London in 2010. It was the first entretive fair in the capital (Entretive = creative entrepreneur). The original exhibition looked at how viewers often see art through prejudices unknown to them. This idea is still central to Parallax today and is what makes it often challenging, confusing, open to misinterpretation, and strange to most people. Most people don’t understand Parallax because they miss that they are the subject.

Unlike other fairs that try to sound and look 'radical', and yet maintain traditional approaches to thinking about objects, Parallax is a conceptual work of art as well as a fair. It is a new kind of historical event. We do not believe in outmoded prejudices, such as qualities like ‘good’ and ‘bad’ residing ‘somewhere’ in art objects. Art selection is philosophically dubious and mainly about marketing. All objects are equal and all makers of those objects are equal. This is emphasised in the presentation of the fair (often misunderstood), which also celebrates and incorporates random events.

Parallax mainly exhibits independent artists and designers and is different from a dealer or part-dealer fair. We also do not sell particular artists in a fair privately; all artists are treated equally and fairly.

  • *No commission tax.
  • *No sales desk - exhibitors take their own sales.
  • *No private selling. All exhibitors equal.
  • *No name badges - it ain't a prison.
  • *Low break-even points - win-win for exhibitors and visitors.

Parallax is open about the problems that artists face and the difficulties of selling their products on speculation, which is what they often try and do. But whereas other fairs for artists hire exhibition panels cheaply and then mark them up by thousands of per cent, in full knowledge artists will struggle to sell, Parallax focusses on keeping break-even points low. This means artists have more chances of selling or developing a market over time. This is why 60%-70% of exhibitors are returnees in Parallax, many exhibiting three or four times a year with us.

Watch a philosophical video about us here or get the book here!

Our Philosophy

The art industry and its educational system is obsolete and should have changed decades ago. It is time to set us free.

At Parallax, everything we do stems from questioning what art history is and whether it should condition how we think. As a system, it is a meaningless jumble of older philosophies that few would agree with today. Yet, it influences why dealers prefer one work over another, why critics believe a particular artist or art fair is ‘important’ whilst dismissing others, and why, even, some artists criticise their peers. It has a profound influence over art commerce, how we determine what is 'contemporary', the way exhibitions are run, how museums display collections and the way people are taught to think about art & design. And yet it is full of absurdities. But freeing ourselves means we can enjoy the present moment (no, not in some cloud of existentialism) and respect all people and what they do. This is why we do not have a VIP department. Everyone is a VIP at Parallax.

The same philosophy influences how we seek to treat our staff, building up their confidence and skills in an industry well-known for its 'sleaze', bullying, and difficult career entry.

Watch videos about us here or get the book here!

Dr C G Barlow writings
Three Modes (second edition in production); A Historical Inquiry into the First Three Months of 2020 and the Six Sources of Data Prior to the UK Lockdown (in research); Aporia (album in production); Digital Democracy (album; 2023); A Dialogue on Direct Democracy (in research); The Art of Painting by John Smith (preface and footnotes; in research); The Aporia (in research); Guide to Shipping or Travelling with Art & Design (2024) UK edition / US edition; Guide to Buying Art: the End of Art Collecting (2022) UK edition /US edition; Three Modes (2021) UK edition /US edition; The Principles of Painting by Roger de Piles [preface & footnotes] (2020); The Education of the Eye by John Burnet [preface & footnotes] (2020); Probability of Historia (2020); Prescient and Ahistoric (2019) UK edition / US edition; In the Name of (2018); "Hanging Offence": Interview with Trebuchet (2014);Proem 4571 (2014); Twelve (2013); Proem 1812 Dialogue [Magma Catalogue] (2012); Parallax (2010), with Donald Preziosi, Alun Munslow and Paul Gladston; Parallax II: Juries and their delusions [Blog] (2013); Copernican Revolution [Blog] (2009)
July 2024
Thirty-seventh edition shows Peter Luisi's art film "The Last Screenwriter", the first movie written entirely by ChatGPT. The film was banned by the Prince Charles Cinema in London. Kelly Ali from the 1990s Sneaker Pimps and South Indian movie director Thota Tharani take part, along with over 200 artists and designers, seventy per cent of which are returning exhibitors.
April 2023
Parallax opens at MG Studio in Los Angeles with an experimental show. Exhibitors have the freedom to set up a space according to their individual choice. 5000 visitors tickets are taken.
October 2022
Lead actor of the famous British radio show The Archers, Tim Bentinck, exhibits his hard drive artworks.
2022 July
Hollywood actor and director, Paul Michael Glaser exhibits alongside three hundred international exhibitors. PAF Screen, LED NFTs, GAP Booths and PAF Music are integrated into the fair for the first time.
2021 July
Parallax Club website is launched. Underscoring a key philosophy of no selection committee, it includes the first automated shopping-cart-style application for a fair in the world.
2020 September
Parallax Art Fair launches "Shop Parallax" as part of its fully e-commerce website.
2020 March
PAF TV is launched.
2019 October
C G Barlow publishes The Prescient and Ahistoric; the theory and history of Parallax Art Fair and entretive fairs.
2019 February
Parallax Art Fair opens at two venues in London in Kensington and Chelsea. Over 500 exhibitors take part.
2018 November
Parallax Art Fair opens in Manchester, UK.
2018 February
Parallax Art Fair moves to a larger venue in Kensington, London, UK. Three shows of Setsuko Ono are curated by Dr C G Barlow in his trademark style, including at Asia House and Daiwa Foundation in London. Catalogue is available here. See also. Some images.
2016 April
Parallax Art Fair opens in Los Angeles, USA. For an archive of the website from April 2016, go now. Please note, some icons and images do not now exist.
2012 December
Parallax Art Fair opens in Miami, USA.
2012 August
Parallax Art Fair opens in New York, USA. For an archive of the website on 02/04/2012 see archive.org. Go now. Please note, some images do not now exist.
2012 February
Parallax Art Fair moves to Chelsea in London, UK. (Prof. Alun Munslow gives a lecture at the October 2012 edition.). See an archive of the website from 15/01/2012. Go now.
2011 July
Parallax Art Fair opens at Royal Opera Arcade, London, UK. (Prof. Donald Preziosi gives a lecture at the October 2011 edition. See an archive of the lecture programme on archive.org Go now.).
2011 February
Parallax Art Fair website and application is live on 2 February 2011. Over 500 applications are received.
2011 January
The first communication is sent to exhibitors on 25 January 2011. An archive of the original website from 19th February can be seen on archive.org. Go now. Please note, some images do not now exist.
2010 November
Parallax is held over 22-28 November at the Royal Opera Arcade, London, UK. Catalogue contributors are: Alun Munslow, Donald Preziosi, Paul Gladston and C G Barlow. See archives of 2009 website on archive.org Go now. Please note, some images do not now exist. See the original catalogue
2010 October
Second Parallax pre-exhibition held over 14-16 October at The Royal Society of Medicine, London, UK. A rare image of this installation can be seen in an archive from 2010 on archive.org. Go now.
2010 August
First Parallax pre-exhibition held over 8-10 August at the ROA Gallery, London, UK.
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